The Burma Conspiracy is the second in the comic book-based film series that follows the exploits of the young billionaire business heir Largo Winch. After the death of his father, Winch prepares to offload his enormous fortune for charity when he is suddenly accused of crimes against humanity, a charge he denies. The rest of the movie sees Largo travel all over the world trying to unravel the various plots against him and clear his name. But for all its tourist sights, The Burma Conspiracy is one troubled action film.
Not everything goes wrong; director-writer Jèrôme Salle is adept at shooting action sequences and excels at making all the old staples exciting; from exploding buildings to car chases. The standout scene is a fantastically ridiculous skydiving fight sequence that would make Jason Statham’s Crank (2006) proud. Unfortunately there’s just not enough of this kind of action.
Instead the plot turns into a complicated mess, one that runs for nearly two hours, and becomes almost impossible to follow. It constantly flashes forward three years, sometimes twice without going back. The one card it holds close to its chest is the identity of the true villain, yet this is the one thing that’s painfully obvious from the very start. Suffice to say it’s not the Bond-esque caricature played by Dmitri Nazarov, more’s the pity because he’s the one amusing character in the piece.
The performances are an even bigger issue. Tomer Sisley, as the lead, seems unsure of whether he’s in a wannabe James Bond or a hard-hitting drama. Sharon Stone, the big name, fluffs her 15 minutes, although she is given the lion’s share of dud lines and keeps crossing her legs in an increasingly irritating nod to Basic Instinct.
Frankly, The Burma Conspiracy would’ve been greatly improved if it had spent just a little more time deciding what exactly it was trying to do instead of choosing its next exotic locale; this lack of attention resulting in a befuddled, uninteresting mess. Skydiving aside, of course
Originally published at: http://newempressmagazine.com/